Wednesday, 12 June 2013
Latex development
To see whether the tissue paper is still necessary I have created samples of latex and ink combined. The issue I faced was that the ink bled out into the latex even when partially dry. Because I want clear mark making and line I have decided to keep the tissue paper.
Latex development
To see if the latex and tissue paper technique would work in my final piece I created an A3 size experiment that has been very successful.
Latex development
This piece was supposed to be a flat image but then became stuck together. I like this mistake because it shows an interesting new quality to the latex.
Latex experiment
This experiment was successful because it combines a skin-like distorted material with distorted form. I feel like this really expresses my theme in a less obvious and more interesting.
Tissue paper drawings
By combining my tissue paper drawings in a spiral composition I have created an image that draws you to a central point.
Line drawing on tissue paper
Whilst making paper for earlier experiments I realised a link between the fragility of the paper that I was using and fragility of a person living in fear. This realisation caused me to experiment with tissue paper and delicate line drawings.
Egon Schiele response with handmade paper
The texture and slight pigment to this experiment give the girl a slightly distorted and moody appearance.
Monday, 13 May 2013
Colour experiment in watercolour and pen
I found this experiment to be successful but not for my theme. The colours are calming which makes them the antithesis of what I want to use.
Egon Schiele response using primary imagery
Firstly I only responded in line alone. I find this piece successful because of the protective posture combined with distorted line.
Images of fear from my imagination
I see this image as showing vulnerability from the posture and positioning of the man. I think this work will push me to look at human form and how that can represent fear.
Marta Lech response in oil pastels
I chose to experiment with oil pastels to recreate the harsh line that I previously used in a primary response.
Marta Lech response in watercolour
Marta Lech's work has inspired me to look at abstraction and what effect that has on the ambiance of my work.
Monday, 15 April 2013
Primary response in pen
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